Ned Buntline, that is … a dime novel writer, publicist, playwright and producer … as well as publisher and popularize of popular cheap novels about the American west, published in mass quantities during the latter half of the 19th century. His name was actually Edward Zane Carroll Judson, and he had been a sailor, a brawler, an instigator of riots, an ex-convict and a prodigious drinker and public lecturer on the benefits of temperance. Presumably he knew whereof he spoke, on this subject, although the phrase ‘do as I say, not as I do’ certainly does occur to one. But this is not about E.Z.C.Judson, or his alter-ego, Ned Buntline … or even any of the Wild West personalities that he wrote about in his dime novels.
No – what he, and his scribbling ilk did in a fair part, was to popularize the far west – the frontier west as it then existed in the late 19th century – as a fountainhead of unending drama and breathtaking adventure. Granted, anyone who does this now, or in previous decades has had wonderful material to work with: eccentric characters galore, marvelous and improbable events, romance of every variety, warfare and friendship with strange and alien peoples (Indians, unreconstructed Confederates and Mormons among them). But Buntline and his less famous competitors did it first, establishing the meme almost before the dust was settled.
Of course – some of that dust was purposefully raised, in the course of telling a ripping good yarn for the price of one thin dime. They had not the luxury of being able to wait and see, to consider events steadily or see them whole. They were also not able to thoroughly fact-check the back-stories alleged by some of their most famous heroes – say, Buffalo Bill Cody, or Wild Bill Hickok, or cared very little others were out and out criminals and sociopaths. Or that others –like the small landowners and homesteaders who came out on the wrong side of something like the Johnson County War were not, and had experienced the bad fortune of being relatively voiceless in a contest where the other party had the bigger public megaphone. (And that much of their output is hideously racist by modern attitudes should go without saying.) They also were guilty of creating or flat-out exaggerating every convention imaginable regarding cowboys; who were usually plain old working men of every color, performing backbreaking and/or totally boring labor – but they did it in the open air, and from the backs of horses, which must have looked pretty good from the perspective of a factory hand or clerk back east.
Still – Buntline and his ilk set the stage for the enduring image and conventions of the Old West: timeless stories and stock characters, which were lovingly sent up in a movie like Rustler’s Rhapsody. Even so, it was vision of the Wild, Wild West which gripped our grandparents and great grandparents in print, entranced our parents at the movies … and had us glued to the television.
But you know what? The real Wild West was even more incredible than Ned Buntline ever dreamed.