So – Luna City Lucky Seven is finished, changes suggested by the Beta readers have been incorporated – and the latest installment of the Luna City Chronicles is ready to roll, pending arrival of the final cover. Which should happen over the weekend, or perhaps early next week. While I wait on that happy event, I’ve been scribbling away on the first couple of chapters of the Civil War novel, and mentally mapping out a few plot points. This novel, tentatively entitled That Fateful Lightening, follows Minnie Templeton Vining, a Boston lady of certain years. She is a die-hard Abolitionist in the years before the war, and a volunteer nurse during it, as outlined in Sunset and Steel Rails, in which she was a secondary or even tertiary character.

This new project requires me to really begin reading up on contemporary accounts and memoirs – of which there exists a large number. Many of the lady volunteers who took up this heartbreaking task of nursing soldiers under desperately primitive conditions wrote about it all afterwards; after all, the Civil war was the pivotal event of 19^th century America. For better or worse, the issue of free-or-slave roiled politics and intellectual life for twenty years before, and the aftermath of the fighting left scars which, as of a century and a half later, are still vivid and raw. Thanks to having been a devoted reader of American Heritage as a tween and teen, thanks to Mom’s life-long subscription, I have always known this in outline, and in small tableaus – but not in such depth and detail that I could write convincingly and authoritatively about it from the point of view of a woman completely immersed, day to day, in both these issues.

So – another long, deep immersion in memoirs and letter collections – facilitated by the fact that most of the women who penned accounts of their heroic labors in field hospitals, in organizing fairs and markets to fund the purchase of medical supplies and comforts, and the rounds of public speaking and article-scribbling – are mostly obscure these days; their memoirs, letters and diaries are mostly in the public domain and free. Which is another nice benefit, since I am not anywhere near the income level of those authors who can command huge advances from a publisher, a guest shot on the Today Show, or The View, or a carefully-engineered position on the New York Times best-seller list.

Me at a recent Halloween market, as Queen Victoria

The other nice benefit reading this kind of material is that one is able to absorb the vocabulary, those thought-patterns and attitudes of the time. To me, there is no bigger crime in the historical-novel-scribbling set than that of ‘presentism’ – that is, basically dressing up modern characters in period clothing and having them walk through a 21^st century plot. The past is a foreign country – they do things differently there. One might as well start with reading the authentic words of the residents. Histories are a useful adjunct to all this, but the problem with that is that the professionals all have their own biases and perceptions – and since so many of the female Civil War memoirists were concurrently, or later involved in various feminist crusades … I do not want to be put through the necessity of fighting my way through a bramble of biases. The original biases of the ladies involved is quite sufficient, thank you. The third nice benefit is that I can count on running across events, characters, small exchanges which will inspire plot twists and secondary characters for That Fateful Lightening. This turns up interesting things as a result. Well, interesting things to me, hunting scavenger-like for interesting bits of fact, turns of phrase, coincidences, and personalities – I swear, most of the plot turns in the Adelsverein Trilogy came about because I ran into something in the research reading and thought, “Ohhh! This has to be in The Book!”

The first such volume I have begun reading is a collection of letters, letters from and to a once-notable Quaker activist named Abigail Hopper Gibbons; who campaigned for various worthy charities benefiting women and orphaned children, the elderly, abolition of slavery, the Sanitary Comission (which provided medical care for soldiers during the war) the welfare of veterans and woman’s rights. She was happily married, it appears, and raised six children with her husband. Alas, one died as an infant, another at the age of five years old, and a third while in college after an accidental fall. She was a good friend of Lucretia Mott, who was also a very good friend of Elizabeth Cady Stanton – all these people tended to know each other, I gather – or at the very least, knew of each other. These ladies and a dozen others of whom I have collected up their memoirs would appear to have been very far from being meek, submissive, conventional image of a Victorian lady, sitting passively in her parlor embroidering and murmuring, “Yes, dear,” while her husband pontificated.

In fact, these ladies, in their corsets and bonnets, and skirts to the toes of their high-buttoned boots, threw themselves into battle-field nursing, operating field kitchens, fund-raising to purchase supplies, and personally overseeing the delivery of those supplies to hospitals. They were real fire-crackers, these ladies – and it’s going to be an adventure, exploring their world and their words.