I am immersed in a schedule of reading over the next few weeks, devouring omnivorously a stack of books from the local library branch, another stack from my sometime employer at Watercress Press – she has a splendid collection of Texiana – and re-reading some of my own not-inconsiderable collection. This is where the stories, characters and incidents are planted and begin to grow and entwine; but the soil they sprout from is composted from all this reading, if I am allowed to milk out the gardening metaphor as far as is possible… well, anyway, circling back to the beginning again – I’ve got a tall stack of books about Texas, about the Gold Rush, and the 19th century in general. Too many to stack up on the nightstand, so the overflow is piled up on the flat-topped cedar chest, in three or four tall stacks. One of the potential story-lines in the projected trilogy is about how the American cattle business boomed and collapsed in the 1880s, which is about the very same time that many of the most popular envisionings of the Wild West were laid down in the form we have come to know best. It is also the setting for the concluding volume of my projected new trilogy; picking up the story of the next generation of the Becker family, once the Texas frontier calmed down a little.

There were a lot of other things going on at about that same time, including a veritable explosion in the number of American millionaires. In the post-Civil War years, enormous fortunes were being made in industry, from building railways, in steamship lines, in mining, in mercantile interests. The post-Civil War decades increasingly came to be dominated by ‘new money’ men, beside which the ‘old money’ families – with fortunes based on land, banking, the fur trade, sailing ships, or cotton and rooted in the earlier decades of the 19th century began to appear pale, and dull to everyone but each other. Mark Twain called the latter decades of that period ‘The Gilded Age’ – and he didn’t mean it particularly as a compliment, even if people have used the expression ever since as implying something rather fine. Twain meant it in the sense of something cheap, of a microscopically thin layer of gold overlaid on cheap metal, something flashy, over-ornamented, an object which would not wear very well, but caught the eye and impressed no end in the short term.

That era seemed strange and uncomfortable to someone who remembered an earlier day – for all it’s comforts, convenience, riches and plenty. Changes came thick and fast; the telegraph, the transcontinental railway, the ease of taking a steamship passage across the Atlantic and being there in a week or so, where once it had taken months. Americans of the upper crust began traveling for pleasure and for education, rather than strictly business and in numbers, once the crossing became relatively pleasant and short. The United States had never, even before the Civil War, been particularly isolated, but the 19th century world became appreciably smaller. Mark Twain himself became a part of this trend, by participating in one of the first great American tourist excursions, the 1867 voyage of the “Quaker City” to the Holy Land and elsewhere, which was documented in one of the funniest travel books ever, “The Innocents Abroad”.

It was an interesting time, no two ways about it – and one of the interesting aspects is that there were so very many assorted experiences recorded in the years between the end of the Civil War and the turn of the new century – rich pickings for someone like me, doing research. One of those collisions that I am interested in exploring is the same collision that Twain wrote about so humorously: the Old World and the New. There were quite a lot of opportunities for them to collide, and nowhere more than among the very newest of the new money, or even the semi-new money of the New World and the aristocracy of the old. One book I picked up at random was a joint biography of Alva and Consuela Vanderbilt – of whom I was sort-of-aware, mostly because the Vanderbilts are one of those filthy-rich families that you can’t help not having heard of, and because Consuela Vanderbilt was married off – mostly unhappily – to an English Duke. It was kind of ick-making to think about; fabulously wealthy American heiresses married off to the impecunious inheritors of ancient name, royal favor – and crumbling stately homes. Their vulgar American new dollars in exchange for an old name, a title and a coronet with strawberry leaves on it; it’s hard to decide which is more awful, the decayed noblemen hunting for heiresses that they would condescend to honor with their titles and past-due bills, or the social-climbing and wealthy American families of a supposedly democratic and more or less equalitarian nation going all weak-kneed at the thought of a title in the family.

(to be continued)