{"id":4914,"date":"2005-12-02T19:12:05","date_gmt":"2005-12-03T01:12:05","guid":{"rendered":"http:\/\/www.sgtstryker.com\/index.php\/archives\/who-is-the-real-queen-of-pop\/"},"modified":"2005-12-02T19:13:46","modified_gmt":"2005-12-03T01:13:46","slug":"who-is-the-real-queen-of-pop","status":"publish","type":"post","link":"https:\/\/ncobrief.com\/index.php\/archives\/who-is-the-real-queen-of-pop\/","title":{"rendered":"Who Is The Real <i>Queen Of Pop<\/i>?"},"content":{"rendered":"<p>Camile Paglia <a href=\"http:\/\/www.salon.com\/ent\/feature\/2005\/12\/02\/madonna\/index.html\">returns to Salon<\/a> with a review of Madonna&#8217;s <i>Confessions On A Dance Floor<\/i>. She&#8217;s obviously a huge fan of Madonna (a passion I don&#8217;t share) but is lukewarm on this album. Anyway, this caught my eye:<\/p>\n<blockquote><p>\nNevertheless, the positive response to &#8220;Confessions&#8221; probably signals a thirst on the part of the pop audience for emotional directness and shaped melody, which have languished in the hip-hop era, with its aggressive, incantatory rhyming and grinding percussive effects. Even Madonna&#8217;s archrival, Mariah Carey, with her virtuoso lyricism, is given to long, meandering vocal lines that assert passionate feeling (stressed in performance by pentecostal hand-waving and arm swoops) but in fact go nowhere. It&#8217;s a crooning, swooning, melting style that makes too many of Mariah&#8217;s songs sound the same. <\/p>\n<p>Incidentally, the claim repeatedly made by CNN and the British press that Madonna is now &#8220;the undisputed queen of pop&#8221; was undercut by CNN.com&#8217;s current poll, &#8220;Who is today&#8217;s real &#8216;Queen of Pop&#8217;?&#8221; After 93,000 worldwide votes (as of this writing), <a href=\"http:\/\/edition.cnn.com\/POLLSERVER\/results\/21409.content.html\">Mariah is kicking Madonna&#8217;s hot pants at 57 percent to 34 percent<\/a>. Far behind trail Britney Spears, Kylie Minogue and Beyonc\u00e9 Knowles &#8212; all of whose careers were in varying degrees influenced by Madonna. The poll results will surely surprise most observers because Madonna, unlike Mariah, has such a hammerlock on MTV and international magazine journalism.\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Camile Paglia returns to Salon with a review of Madonna&#8217;s Confessions On A Dance Floor. She&#8217;s obviously a huge fan of Madonna (a passion I don&#8217;t share) but is lukewarm on this album. Anyway, this caught my eye: Nevertheless, the positive response to &#8220;Confessions&#8221; probably signals a thirst on the part of the pop audience [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-4914","post","type-post","status-publish","format-standard","hentry","category-thats-entertainment"],"_links":{"self":[{"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/posts\/4914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/comments?post=4914"}],"version-history":[{"count":0,"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/posts\/4914\/revisions"}],"wp:attachment":[{"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/media?parent=4914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/categories?post=4914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ncobrief.com\/index.php\/wp-json\/wp\/v2\/tags?post=4914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}