24. April 2008 · Comments Off on Kiplingesque · Categories: Domestic, Fun and Games, General, History, Home Front, Literary Good Stuff

I couldn’t bring myself to watch this program the other night. It flashed past as we were channel-flipping. Our neighbor Judy had come over for dinner (beer-can chicken with Memphis rub on the grill, if that is of any interest) and we had watched one of the Young Indiana Jones DVDs that I am reviewing. Judy said,
“Oh, I saw that in the TV guide and I thought it looked interesting – what was the story on that?”
“A very sad one,” I said and Blondie added,
“No, I don’t want to watch – it will only upset Mom.”

And she was right – it would have. Rudyard Kipling’s only son was only seventeen and as blind as a bat, quite unfit for military service. But in that surge of intense patriotism and sense of duty that attended the beginning of World War One, he asked his father to pull strings for him; and Rudyard Kipling obliged. He had friends everywhere, as one of England’s most famous writers, the poet-laureate and chronicler of all things Imperial. He wrangled a commission as a second-lieutenant in the Irish Guards for his son; John went off to France with his regiment, arriving on his eighteenth birthday. He disappeared in fearful combat sometime during the second day of the BEF’s attack on German forces at Loos six weeks later. Rudyard Kipling spend years hoping that he had survived somehow, more years searching for any witnesses to his son’s death, or clues to where his body lay… and finally worked tirelessly on various memorials to those dead in the Great War, the one that unfortunately did not end all war. A close friend of the family discovered from some surviving members of John Kipling’s unit that when last seen, he had been badly wounded, his glasses smashed and he was crying in agony; these details were kept from his parents. Other witnesses told other stories; at this late date there would be no earthly way to sort out which was the truth, or where his body was finally buried. Any time after 1919 was probably too late, anyway.

No, I didn’t much want to watch it; that kind of thing just comes too close to home. And I’ve always loved Kipling’s stories; the poems too. (I had a go at writing some Kipling-type stories myself, here and here) Loved the stories of the Jungle Book from when Mom read them to us as children. Later I thought Kim was absolutely sublime, and then I found the other India stories, the other animal stories, the stories about soldiers and travelers, ghosts and Masonic lodges, of madmen and beggars, railwaymen and elephant drivers, of colonial administrators and their desperate housewives, of schoolboys and small children sent ‘home’ for their health and continuing education. I loved the lot, and ploughed gamely through a copy of the complete collection which my high school library unaccountably had on its shelves. Lord only knows how that came about, because Kipling drifted out of fashion with the literati well before the end of his own lifetime, reaching a sort of nadir in the sixties. Imperialist, colonialist, racist, sexist – all the heavy brickbats of ‘ists’ flung his way! And he would have just as enthusiastically flung them right back, god love him – perhaps that’s why he attracted such enthusiastic animus.

But he was a story teller; I think an almost compulsive one. Everything and everybody interested him. Explaining how things worked interested him – everything from engines, to railway-bridges, to the workings of a lowly colonial district office and a pack of wolves. He also had a gift for writing dialog – not only dialect, which is not as common as you would think, but an ear for the way people speak and put their words together. I’ve always compared that to having perfect pitch. A perceptive listener can sort out all kinds of things from the way someone talks; and a good writer can put this down on paper! So many things can be given away in speech; age and education, origins and way of life. I think Kipling did this beautifully – even the animals that he gives speech to are consistent and unique; compare the Maltese Cat and his friends to the beasts in “Servants of the Queen.

And I still think this is one of the best explanations of journalism around; still relevant after all those years.

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