20. September 2014 · Comments Off on O Tempora O Mores · Categories: Ain't That America?, Media Matters Not

Early this month, my daughter and I clubbed together and bought a DVD collection of Mel Brooks movies for our evening TV-watching pleasure. I think we already had Blazing Saddles on DVD, and maybe The Producers and Young Frankenstein on VHS – but the plain fact is that we didn’t have any of the rest, and I only dimly recalled seeing many of them on original theatrical release, most usually at tiny AAFES movie theaters in various overseas locations. Seriously, it took years to get over expecting to stand up for the national anthem before the main feature, along with the usual wits shouting “Play ball!” as soon as the last strains and the flapping flag in slow-mo mistily faded from the screen. My daughter hadn’t seen any of them, save the aforementioned two, and so … we’ve been happily entertained, by working our way through the collection. It’s often noted, by no less than Mel Brooks himself that Blazing Saddles probably couldn’t be made today. Oh, let me count the ways, from the non-stop use of the n-word, gleeful use of national stereotypes, the campfire scene, the breaking of the fourth wall, the campy and screamingly gay movie director… yep, the professionally aggrieved would be screeching to high heaven.

Young Frankenstein doesn’t hit on quite so many social sore points as Blazing Saddles … but History of the World Part 1 certainly does. That’s another one which probably would send the professionally aggrieved on fire. As for Silent Movie, that was kind of a one-joke sketch fattened out to feature movie length. My daughter didn’t know that Mel Brooks and Anne Bancroft were married, or that Burt Reynolds and Paul Newman had ever looked so very young. High Anxiety was funny enough, as a pastiche of practically every movie Alfred Hitchcock ever made. So – on to The Twelve Chairs and Robin Hood: Men in Tights in the coming week. Don’t know how those two will manage to offend the easily offended, but I have hopes. It is kind of dispiriting, when I remember funny, slapstick and anarchic humor like Mel Brooks, or those movies like Airplane and Top Secret! Produced by Zucker, Abrahams and Zucker, or mockumentaries like Spinal Tap and confections like Ghostbusters … and then consider at the great earnest blocks of concentrated dullness coming out today. There are comedies still being produced of course … this is a list of what is currently available on Netflix, but scrolling through it, I just don’t fell much like watching any of them. Quite honestly, most of them just don’t seem like all that much fun.

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