Our local public radio station (which full disclosure impels me to mention that I am employed by their 24-hour classical sister station on a part-time basis) is advertising a special which airs this weekend on “border radio”— that is, a collection of stations located just over the Mexican border which during the 1950ies and 1960ie— joyfully free of FCC restrictions on power restrictions… or practically any other kind of restriction— blasted the very latest rock, and the most daring DJ commentary, on stations so high-powered they could be heard all the way into the deep mid-west… and probably on peoples’ fillings, too.
My parents were… umm, kind of stodgy about radio entertainment, and Mom kept the radio at home always tuned to the venerable Los Angeles classical station, with the result that I may have been the single “ most totally clueless about popular music” military broadcaster trainee ever to graduate from DINFOS. I knew about Elvis, and the Beatles, of course— JP played the “White Album” incessantly, and the Beach Boys were omnipresent in California… and I rather liked Simon & Garfunkle, but everything else… major unexplored territory there. Except for obscure and weird stuff like… umm, classical music. And the Bonzo Dog Doo-Dah Band. JP was a fan. I actually won money in tech school, betting on the existence of a band called the “Bonzo Dog Doo-Dah Band”. (They had a single in the AFRTS library— my winning move, going to the index file and triumphantly producing the card for “I am the Urban Spaceman”.) Otherwise, popular music, country music, all the rest of it was pretty much new news to me. I could be really open-minded about it all, which turned out to be a good thing, in the long run. DJ’s with strong personal inclinations about genre, decade and groups sometimes had a problem when it came to being ecumenical. (Weekend jazz… no problem. Midnight AOR.. no problem… just give me a couple of bottles of extra-strength Anacin. Afternoon drive-time… eh, no problem.)
So I managed to get to that point in my life without ever having heard of Wolfman Jack, the king of the border radio personalities. Raunchy, borderline profane, very funny, the Wolfman was about the most daring DJ in the regular weekly AFRTS package of radio programming for a good long time, which might have seemed even longer to station managers gritting their teeth and crossing their fingers that there might be nothing potentially offensive to the host nation in his show… this week, anyway. Master-Sgt. Rob, the first station manager that I worked for, at FEN-Misawa had been around for at least fifteen years before that. MSgt. Rob was one of the old-timers, who had served tours in South-East Asia, a clannish set loosely known as the “Thai Mafia”… so many of them had passed through a tour of duty at Udorn. Thailand’s reputation as a sort of sexual Disneyland dates from that time— although I swear Scouts’ honor, (fingers crossed here) that military broadcasters contributed very little to that. (Military broadcasters tended to be a little odd. I’d be willing to take bets that many of them had some degree of Ausburgers’ Syndrome). The Thai government was and is extremely embarrassed about this reputation, and sensitive of slight against national honor. So late one night, MSgt. Rob happened to turn on the radio, and of course, the Wolfman was on, and the first words MSgt. Rob heard was a joke:
“What’s brown and lays in the forest?” And the Wolfman answered his own question in that deep baritone that seemed especially made to relay the punch-line of raunchy jokes. “Smokey the Hooker!”
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